The artist explores the sensitivity of alabaster through singular rereadings of this material. Tuscany’s translucent alabaster allows the creation of an aura of light in a “magical instant” that appears between the luminous spatial field and the sculpture of fragments. Thus appear Rio’s hills, the torsos, the childhood memories and the past, brought back by engraved gold leaves. Everything is created to explore the limits of the look.

Maria Cristina Burlamaqui

Multiarte, Fortaleza 2016

Fundação Brasilea, Basel 2015

Stone Light
Catalogue of the exhibition at the MAM Rio de Janeiro, 2013

Maria-Carmen Perlingeiro
Book
InFolio Edition 200
Design: Danowski Design

Aquatics
Folder
Gabinete de Arte Raquel Arnaud, São Paulo
2007
Design: Danowski Design

Amigos da Gravura
Chácara do Céu Museum, Rio de Janeiro, 2007

Maria-Carmen Perlingeiro
Folder
Paço Imperial, Rio de Janeiro 2006

Natures Mortes
Leaflet
Galerie Charlotte Moser, Geneva, 2001

Maria-Carmen Perlingeiro
Leaflet
Gabinete de Arte Raquel Arnaud

Point de rosée
Leaflet
SUVA Clinic, Sion, 1999

Maria-Carmen Perlingeiro
Catalogue
Cultural Centre Banco do Brasil, Rio de Janeiro, 1999

Uni-Dufour: un projet pour un bicentenaire, Geneva 1997
Catalogue

2 Projects for Uni Dufour, Geneva 1996
Catalogue

249 Projects for Uni Dufour, Geneva 1996
Catalogue
Uni-Dufour

Jellyfish
Leaflet
Raquel Arnaud Gallery, São Paulo, 1996

Scultpures
Leaflet
Gallery Rosa Turetsky, Geneva 1996

Between the body and the structure
Leaflet
Château de Villa, Sierre 1991